February 7, 2025
The much-awaited political drama, Conclave by Edward Berger, has finally had its release in India. With a cast of such great names as Ralph Fiennes, Stanley Tucci, John Lithgow, and Carlos Diehz, the film depicts the gripping story from inside the Vatican, steeped in intrigue, suspense, and deep emotion.
A Tale of Power and Secrets in the Vatican
Based on Robert Harris’ bestseller novel, Conclave gives an exclusive tour behind the closed doors of the Vatican after the death of the Pope. Cardinal Thomas Lawrence (Fiennes), the Dean of the College of Cardinals, is responsible for electing the new Supreme Pontiff. While this whole selection process begins, mounting tensions among the cardinals with three front-runners—Cardinal Bellini (Tucci) as the deeply pious but rather shadowy figure; Cardinal Tremblay (Lithgow) as the politically nimble candidate of choice; and Cardinal Tedesco, a strongly independent person.
But as it turns out, a solemn exercise soon descends into power plays, long-buried secrets, and shocking revelations. Although the outcome of the election comes as a surprise, it is all too apparent by the time the drama reaches its zenith.
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Stellar Performances and Masterful Direction
Ralph Fiennes excels in the role of Cardinal Lawrence, where he brings out the soul-searching internal struggle and emotional turmoil of the character with breathtaking restraint. Originally best known to audiences worldwide as Lord Voldemort in the Harry Potter film series, Fiennes removes all flamboyance for a portrayal that relies on subtle gestures and quiet contemplation. His weary yet resolute expressions convey Cardinal Lawrence’s inner turmoil in grieving over the loss of the Pope, weighing the candidates, and wrestling with the burden of hidden truths—all without resorting to exaggerated dialogue.
Although Cardinal Bellini, with Stanley Tucci in the role, embodies the smooth charm and complications of the story, Cardinal Tremblay, with John Lithgow in the role, is the living embodiment of the calculated precision of a politician. Isabella Rossellini holds her own in a tiny, but significant role, thus deepening the world in which the film stands. Meanwhile, the impression made by newcomer Carlos Diehz in his performance as Cardinal Benitez has been daunting.
Directed by none other than the brilliant Edward Berger of All Quiet on the Western Front fame, the adaptation is a cinematic treat, giving full breath to Harris’ atmospheric novel. Using the Vatican as more than just a mere setting, French cinematographer Stéphane Fontaine dives into the interplay of light and shadow to epitomize the very secrets and moral ambiguities controlling its dark alleys., while stringing a solid complement to the visuals is a chilling score from Volker Bertelmann, putting on atmospheric tension without stealing focus from the narrative of film
A Slow Burn, Though-Provoking Drama
Conclave, unlike a conventional thriller, burns slowly, requiring patience from its audiences. It favors character-driven storytelling over action-driven sequences and rewards viewers who admire subtlety and depth. While severe-conversation junkies might deem the dialogues little, the film relies on a metaphorical expression, silent dialogue, and other visual aspects to reflect on matters of power, faith, and human miscarriages.
Against the panorama of big and spectacular landmarks, Conclave makes its own case as a thinking and careful film. Led by Ralph Fiennes in his finest moment, forward from a glittering ensemble cast, and directed with acumen by Berger, lasting impressions are set in audiences from all across the globe.
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